The
Ice Planet, again, they love me here. I am prossed up as, guess what?
Nobody. That's right I am in my own skin playing Joe Coolz. Artie is
on sax's and Zeno on Bass. It's a similar line up to the Bill Evans,
Eddie Gomez, Getz line up. Artie can do Getz likes he's
in the room, but tonight we are doing our own thing. I put in a few
Evans touches, but the
main phrases are mine. Zeno's bass playing is like Gomez, which is
why we are doing the gig in this form. We start off with “You and
the night and the Music,” then slow it down a bit with “But
Beautiful.”
The
bar at the Glasshouse Restaurant, is carved out of ice which must be
a million years old. It has a bluish sheen and glistens where the
lights hit the salts embedded in it. The temperature is constant
minus 5, so we have to wear our thermal skin suits under our DJ's.
These suits check the outside temperature with our normal body heat,
and keep us comfortably warm. They are like a second skin and don't
interfere with any of our senses, so my fingers really can feel the
ivory of the keys.
Zeno
does a two Minuit intro into “Blue Eyes” then I come in when she
plays a walking base line as Artie weaves in between us using
alternate fingering to get the octave over the normal Tenor register.
It's a tour de force from him and I am content to let him swing away
up there just keeping the chords coming. The people in the bar have
not come to just hear us. They have come to get drunk and the
background noise is begining to take over, so we take a break
ourselves and retire to the Green Room. Here the ice is as it says,
green. We all have a ghostly pallor cast by it. This is contrasted by
red upholstery, made of some kind of soft animal skin, that could be
from anywhere, but most likely grown in vats of protein on an
orbiting asteroid. I flop into a high backed chair with wings sipping
a highball, I picked up the Highball habit in Manhattan. Arty heads
off to chat up a floosey he noticed is giving him the glad eye,
leaving me alone with Zeno. When Zeno and I are alone it usually
turns sexual. She slips out of her mini-dress and starts doing some
yoga poses. Her thermal suit is like a second skin and leaves nothing
to the imagination. She ends up in the Lotus position directly facing
me.
'It's
been a long time.' she says.
'since
we played together, you as Ella if I recall.'
'No,
since we fucked.'
'Oh
that.'
'I
thought you and Brian were an item now.'
'Business
partners, Brian hasn't a Dick,.
'He
can fuck up your brain though.'
Artie
interupts us with a tall blonde in tow. She is dressed like Robin
Hood in green tights, thigh boots and a jerkin made of velvet, open
to the waist. Around her neck are five tight strings of pearls.
'Meet
Marion', says Artie, 'she is a big fan of your piano playing, so I
brought her to meet you.'
Marion
bends over to shake my hand, and Artie gives me a wink and a smirk
over her shoulder. He has been known to play the odd prank, and I
can't quite figure this one out until Marion speaks. She has a deep
voice, and the pearls are there, obviously, to hide her adams apple.
I am not phased, it takes all sorts.
Zeno,
asks what I am thinking.
'How
do you hide your Dick.'
'I
don't', says Marion. 'I really am a woman, I just had my vocal chords
worked on to sound like Billy Eckstien.' And she does.
***************
Back
on Mars. Getting rather bored and thinking I might just go back to
Earth and sink a few Whiskeys with the Cats, when my musings are
stopped by the appearance on the Vid of Guy Buddy. You remember him,
the owner of Scrap World. What the fuck does he want?
Brian
has turned the return signal off and is panicking.
'Don't
tell him I'm here, says Brian.
'How
can I do that, you are a computer immoveable, attatched to this
building by bolts.'
'Yes
but he doesn't know that. He thinks I am a real person.'
'Brian,
you are supposed to have a brain bigger than Mars, and you haven't
thought this out. If you are not a person, what is the worst he can
do to you. He can't break your legs, can he?
Silence.
'What
have you done that he would want to?'
'I
sold him a ship to scrap, that isn't ours to sell.'
'I'm
involved?'
'Well
you are the titular head of Scr4pm3, and he can break your legs.'
Now
I'm panicked. I can see Mr Buddy on the Vid flexing his considerable
muscles and getting agitated.
'Brian
take the call and tell him you will wire the money immediately.'
'It's
not the money, Sir, it's the ship.'
'Yes?'
'It
is an IGBI Starship, number IG 297900135, and it should have been the
IG 29790013S.
'Fucking
hell Brian.'
'I
know, Sir.'
'Just
tell him the sign writer got it wrong. I'm off to Earth.'
******************
Red
is not happy that I am turning her down to go back to Earth in 1935.
She can't see the attraction. All those fumes and insanitary
bathrooms. I am standing in the middle of Brooklyn bridge in a
thunder storm, my Saville Row cut suit and Grenson brogues not taking
the soaking very well. But us Limeys are used to inclement weather. A
Caddy pulls up along side and the door opens. An invitation to get in
I presume.
'Sit
over there and don't drip on me.' says Saul, pointing to the seats
facing the wrong way. I do as he says and start to steam. Soon the
windows are fogged up and Saul draws a gun in the mist. It is
pointing at me.
'I
get an anonymous call that you are on the bridge and have some very
important information for me. So spill it.'
I
stare at him blankly. Who could this snitch be. I've only been on the
bridge for a few minutes. Saul adds to his art work. A circle of
smoke around the business end and a bullet flying out. I decide the
best way is to tell the truth or a variation of it.
'I
have only been on the bridge a few minutes.'
'Look
Joe, I like you, so don't piss me off.'
My
mind races and from nowhere I say. 'The Man chucked me out of his
Limo, the prick offered me a lift back to the French House, but
decided I needed the exercise, and dumped me. He must have had it in
mind all the time, and got one of his bully boys to call you. You
know something I am better off in the 'Pool, hitting the keys on Lime
Street, this town is a shit 'ole.'
Saul
leans forward and pats me on the knee.
Relax
Man, I am just passing and saw you dodging the raindrops, I'd
recognise that hairdo anywhere.' You should wear a hat, like a true
New Yorker.'
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